Prisoner of Time – A Masque of Infamy Excerpt

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After a few minutes, Dave said, “I think we need to start getting serious.” He reached into a briefcase and placed three spiral notebooks on the table with band names and logos scrawled into the covers.

“Hey, my notebooks!” I’d forgotten them in the rush to get out the door when the social workers picked us up.

Dave spread them out on the table and flipped through the pages. “What were you trying to express in this song, ‘Fade to Black’?”

“That’s a Metallica song.”

“Yes, I see you have that written underneath. You have a whole section devoted to what you call your favorite rockers: ‘Mommy’s Little Monster,’ ‘Suicide’s An Alternative,’ ‘Annihilate This Week.’ What is it about these songs that made you want to write them out in your notebook?”

“I wanna be a songwriter, so I write out lyrics as practice. I study how the verses, bridges and choruses work together. Most of the songs in there I wrote.”

“I see that…” Dave flipped through the pages. “This is one of yours: ‘If telling you would kill you, to realize would be suicide.’ What did you mean by that?”

“It just, you know, sounded cool.”

Dave turned the page. “Here you have, ‘One of these days when I have the guts, I’m gonna jump right in front of a pick-up truck.’ Another one goes, ‘Sometimes I just wanna blow it all away. Light a fuse and watch the world go up in flames.’ That one you titled ‘Hate Bomb’.”

“They’re just songs,” I said with an awkward chuckle. “They aren’t supposed to mean anything.”

“What kind of songwriter would you be if you wrote songs that had no meaning?”

“I mean, yeah, sure… they have some meaning. But you’re reading them all wrong. I’m just trying to come up with songs that rock, you know?”

“You don’t think this subject matter reflects your true feelings?”

“No. I’m not afraid to say what I want.” I laughed to show how good-natured I was. “Look, you’re totally judging these songs based on the words. But that’s only part of it. My songs are about the music as much as the lyrics. These are just words on paper, so you have to imagine the rest of the song… the power of the music.” I reached for one of the notebooks and flipped to a particular page. “Take this song right here, ‘Prisoner of Time.’ This one I just wrote. It starts out real mellow, almost a ballad—but once the verses start, it gets fast, but not too fast. It’s still slowly building up to the bridge. Then it’s like—” I replicated the sounds of the instruments with my mouth, blowing out air rapidly through parsed lips: “Dun dundun! Dun dundun! Dun dundun! Dun dundun! Then it goes back into the verses again. But after the second bridge it keeps building to the chorus where the guitars go, Chuga chuga chuga chuga. Chuga chuga chuga chuga. The double bass kicks in and it’s getting faster…” I tapped my feet rapidly against the floor. “Then the lead guitar starts to wail.” I pantomimed playing a guitar. “Right, and then it’s like, ‘I’m a prisoner! Prisoner! Prisoner of time! And he walls! The walls! They’re all in my mind!’” I covered my mouth to replicate the background vocals. “Then it just goes totally insane, the drumbeat is all over the place as the bass follows the lead guitar: ‘Prisoner! Prisoner! Break free!’” I leaned back in the chair and folded my arms across my chest. “So you see, that song’s really about freedom, you know? I wasn’t trying to be negative or anything.”

Dave smiled at my performance. “I can see you are very enthusiastic about your music.”

Just when I thought we were getting somewhere and Dave would realize I didn’t need his help, he pushed the notebook with the plain green cover across the table. “What about this one?”

The green notebook was my journal. My mind raced as I tried to remember all the crazy stuff I’d written. I knew there were detailed descriptions of my trysts with Missy, commemorated in case I forgot any of the details. But there were also death fantasies, the pros and cons of suicide

As Dave stared at me, I didn’t know what to say. I just sat there, trying to not look crazy.

“I think we need to start talking about why you’re here,” Dave finally said.

— from A Masque of Infamy

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Gabby The Cutter – A Masque of Infamy Excerpt

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“I feel like a bug under somebody’s shoe.” The new girl was spread out on a chair, the scars on her arms like chaotic spider webs. When Ron called her out in group she made no attempt to hide her contempt for him, Hillcrest and the rest of us.

“Why do you feel that way?” Ron asked calmly.

“Why do you think?” She spit the words out, her ferocity like an unhinged shutter in a windstorm.

“Who are you angry with?”

“Everybody! Y’all think you can judge me, but you don’t even know who I am. So, FUCK YOU!” She stood up and kicked a table.

Those nearest moved out of her way.

Ron leapt to his feet. “This behavior is unacceptable.”

“Fuck you!” She screamed as she ran her fingers through her blonde hair, clenched her fists and pulled out two wads.

Rosie ran into the room. She and Ron grabbed the girl’s shoulders. She struggled violently in their grasp, throwing punches at Ron and clawing at Rosie’s face as they carried her down the hallway. She kicked her feet and gnashed her teeth like a feral beast. We listened to her screams until the door of the Time Out room slammed shut. After that her wail was muffled, like the ominous screech of an owl in the distance.

I looked at Alex in awe. This girl was the most exciting thing to hit the ward since Justin, the Bible eater. We were both impressed. Not only was she a total mental case, she was gorgeous.

She’d showed up a two days before. We were coming back from occupational therapy. Alex and I were charging up the stairs doing our usual routine: him growling in his best James Hetfield, “Back to the ward!” while I responded with a guttural snarl, “You will do! What I say!” And then in unison. “Back to the ward!” As we smashed through the door, we stopped in our tracks. There she was, in a Mötley Crüe shirt, standing at the nurses’ station with her head down. When she looked up through matted strands of hair, her face was feline. Alex broke the spell. “Rock and roll,” he said in his bad English accent.

On the ward, she kept to herself. In the common room she sat alone, barely registering anybody’s presence. During group she scowled and refused to participate. She marched along reluctantly through the various daily activities, never smiling or showing any reaction beyond a deathray gaze.

KEEP READING

– from A Masque of Infamy

illustration by Dame Darcy

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PIltdownlad #7 – The Murky Realm

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PILTDOWNLAD #7

“The Murky Realm” is a biographical sketch of a tragic union with some creative engineering…

My parents never should have gotten married. But even though my father was gay and my mother was chemically imbalanced, this was the 60s, when single men in their forties did not identify as queer and people with personality disorders were rarely diagnosed, much less treated. And marriage was inexorable. The tragedy, of course, is that, besides ruining their own lives, five children came out of this unhappy coupling. But that’s not the point of this story. That comes later. “The Murky Realm” is about how these two people got together, fell apart, came back together, then fell apart again only to get back together again…

I pieced the facts together from what we were told growing up, what I remember from talking to my parents as an adult before dementia set in. I used my imagination for the rest, after walking many miles in both their shoes.

The text is typewritten on my Olympia Manual.

The size is 5.5 x 7 and the cover is either dark blue or purple cardstock with a handwritten title piece glued on. (The color of the title is actually more beige than what’s shown here.)

The first printing is limited to 50 numbered copies.

The page count is 44.

Trades welcome or buy for $3 on etsy.

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THRASHMETALPUNK – A Blog for the Book

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A Fake Mohawk – A Masque of Infamy excerpt

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Back at Hillcrest, I counted down the days until my departure. Sandra said I would be out of the hospital some time before Christmas. To commemorate my inevitable discharge, I requested a trip to Supercuts so I could get a mohawk. “It’ll be my Christmas present,” I told Calvin. “I got the cash. Just need somebody to take me to get it done.”

As I was leaving the Sheltons’s house, Mrs. Shelton slipped a bill into my pocket. “In case you need anything down there…” In Sandra’s van, I unfolded it and smiled at Benjamin Franklin’s smirk. One hundred smackeroos!

“You’ll look like a fool with a haircut like that!” Calvin scoffed when I showed him the picture of the hairstyle I wanted. “I’d let you do it just to see how dumb you’ll look afterwards, but I’m not that cruel.”

“What do you know? It’ll be tough.”

After a few days of persistent cajoling, Calvin went to Julie, who decided that I needed to get permission for such an extreme hairstyle.

“From who?” I asked. “My mother’d let me do it.”

“Your caseworker.”

“Oh.”

I was vaguely optimistic when I picked up the phone, but Sandra was ambivalent.

“I don’t know… that sounds a little drastic.”

“It’s not a real mohawk,” I protested. “I just want to shave the sides, that way if I want, most of the time my hair’ll just fall over the side, or I could part it down the middle and nobody would be able tell.”

After she relented, Nina drove me to Supercuts, where the hairstylist wrinkled her brow when I described the haircut I wanted.

“I don’t think that’s gonna look very good.”

I was persistent. But she refused to shave my sides to the skin. Instead she left an inch of hair that she slicked back with gel. So it was almost like a real mohawk.

On my way out of the mall, I stopped by the photo booth and documented my new style.

– from A Masque of Infamy

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