My ax wasn’t much, a black imitation strat the old man bought me from Toys-R-Us. It originally came with a speaker built into the body, but I removed it, covered the hole with electrical tape and plugged into a Kalamazoo amp. I made a royal racket. Except that’s all I could do, since I didn’t know how to make chords or even tune the damn thing. I just positioned my fingers on the fretboard based on pictures in rock mags and went to town.
I was supposed to take guitar lessons when I was around ten. My mother even let me use an old acoustic from her beatnik days. But on the day of my first lesson, when we got to the place where the classes were to be held, they told us the building had burned down the day before.
Disappointed, I told my next door neighbor, a guy slightly older than me who played the guitar pretty good. He offered to give me lessons. Except, instead of teaching me the chords to “Iron Man” like I wanted, he made me watch him jerk off and then gave me the change in his brother’s dresser. Even though I made out with a buck fifty, which was a nice chunk of change, I never went back there for another lesson.
After that, I fiddled around with my mom’s acoustic until she got pissed off at me one day and broke it over my head.
I never stopped dreaming about being in a band and being a rock star though. But I didn’t really see myself as a lead guitar player or a singer. I wanted to be more like Malcolm Young, the rhythm guitar player for AC/DC, who stayed in the background, doing his thing, while Angus got all the attention.
— from A Masque of Infamy